- Post-Bac Option
|Tuesday, April 9 at 5:00 pm|
|Norlin Library 5th Floor, CU-Boulder|
This paper examines the revived interest in folk culture in late-Victorian and Edwardian Britain, exploring the relationships between ethnography, musicology and the study of historical arts and crafts. It places within this matrix the work of photographers, painters and composers, who derived both motifs and models for avant-garde artistic identity from the study of the rural poor. I contend that the aesthetic potency of visual and musical compositions drawing on folk sources lay in the widespread acknowledgement of the imminent disappearance of folk culture in the face of modernity and mechanized warfare. Under consideration are the photographer P.H.Emerson, painters George Clausen, Henry Herbert La Thangue and Augustus John, the gardener and writer Gertrude Jekyll, ethnographer E.B. Tylor, and composers Sir Hubert Parry, Ralph Vaughan Williams and Percy Grainger.
This event is part of the Visting Scholar Program
The Visiting Scholar Program is organized to explore the discipline of art history—its cultural connections, its methodological pursuits, and its changing nature—by focusing extensively on the research and insights of individual academic experts. Three to five highly regarded art historians and/or art critics speak at a public lecture presenting current research and published papers. During their week long visit they work closely with graduate students enrolled in the visiting scholar seminar class.